Philosophy of Art
The kind of art in which I am interested is art that causes change, that heals, that threatens, that unites, that subverts, that destroys limits and breaks taboos. I am not interested in doing art that comforts, decorates, entertains. In my performances, in my workshops, and in my lectures, I am trying to go back to the time when art was the magical, irrational, non-logical channel of active impact...when art was not just an object of passive viewing. I focus on live direct art for this end.
When we trace art to its primal roots, it combines with science and religion to form the primitive mans' occult tool to influence both the natural and the supernatural worlds. It involved both private and communal rituals with no audience except the gods and demons. In my work, I try to create an environment in which the line between consciousness and the subconscious can be temporarily erased, where the power of taboos is released so that personal and social change can be magically induced. The artist in this intensely intimate work is a conductor focusing and guiding the ritual forces. This is an avant-garde art, a revolutionary art.
In this kind of art, my body gives me a definite advantage. It links me to the wounded healer, the deformed shaman. By combining this with performance tactics, I combine realities to create awake dreams.
Of course, my kind of art is not mass media, trendy or fashionable. It is just idealistic ... definitely not a money-maker.
But I have always thought art should be a calling, not a career.