by Frank Moore
copyrighted August 16, 1995
| the open mike is the most democratic channel ... well maybe except for hyde park sproul soapbox freedom. anyone can sign up to step up to bat, step up to the mike and into the sacred belljar where art poetry is free to expose truth, free to use whatever it takes, whatever style it takes to expose truth ... that is, until your given time runs out and hooks you around the neck and yanks you from the belljar stage. but in the belljar channel you are in danger testing, crying, being so sucking bad that both you and they curse your birth, sharing found ideas, listening to the silence and the polite clapping greeting your bombs or to your ravings of rage that hit too close to home, messing up the nice polite parlor. entering the open mike belljar is a leap into uncontrolled possibilities, uncomfortable quest through good bad boring embarrassing and sometimes magical. nobody owns the belljar, except when you are in the channel, in the pipe behind the mike, holding the modern talking stick until it is time to pass it on to the next. but the talking stick is everyone's, for anyone with something to express. if one is banned, censored, from holding the talking stick just to punish, just to protect a neat fragile nice order, we all are banished from the sacred talking stick which becomes just a cock that we rub. i get worried if my words and images fit through veins clogged with fatty taboos of polite appropriate of comfortability. i get worried...is the art that small that it fits through that pinhole of a hole...so small that nudes on the walls, words on telephone poles, any shift in the social power structure threatens the very reality fabric. i'm too proud to admit the art poetry is that small. so my art becomes a roto-rooting balloon covered in razors tipped in draino acid, pushing pressuring uncomfortable unsocial grinding against the grain until the killer fatty clots of taboos burst out the other end and go down the drain like trouble. i don't really go after the hitlers, the mccarthys, the helms, or their brown shirts. they are just limp-dicked power-junkies with swiss-cheese egos, each hole filled with inferiority. they are just moons with no power light of themselves, just reflecting fear. no, i go after the nice people who never asked where the trains were going, boxcars filled with people. didn't have to. only suspected, only heard rumors...after all, the general is a friend. never said, excuse me, i am a jew too, a jap too, a gay too, i've negro blood running in my body, aids too. i'm a commie who took home movies of our nude kids. so better put me on that train too. better put us all on that train. there ain't no train big enough! i go after the nice people who keep going to work after seeing their friends missing, after hearing rumors of blacklist and blackball. must write something about that subject to THE TIMES. he used to be such a pleasant fellow ... but now he is a whining paranoid ... not a sort to have to tea. he is like a wet messy fart. not in my backyard! yes, i go after nice people. but my time in the belljar is about over. so i'll leave you with this. what is happening in your backyard is what really matters. so be sure to weed! |
Artwork by LaBash
copyrighted 1996
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Copyright 1996 Inter-Relations
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